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MOBO:
Awarding the N Word? |
8 September 2004
MOBO promoting artists with offensive lyrics?
The MOBO organisation has partially followed up on its promise
to remove
artists who promote violence from their nomination process.
During an interview with Peter Tatchell on Talksport FM, MOBO
founder Kanya King said “if we don’t get an
apology from the managers of these artists then we would consider
removing them from the nominations”.
We
are now awaiting confirmation that Kanya shows similar respect
to the many heterosexual men and women who are denigrated
by the offensive use of the racist N Word used by their Hip
Hop nominees
Click
here
to listen to Kanya King's interview
Click
here
to read the 2004 Hip Hop Nominee's lyrics
Click here to read
our speakout opinion
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1Xtra:
Music for the street people? |
1Xtra
fails to attract 'street' audience
Despite a spend of over £6 million, digital radio station
1Xtra, which is actively targeting young African British listeners
with its ‘street music’ campaign has
failed to reach its target audience. In a letter to Ligali
from the BBC Board of Governors the audience and research
department has indicated that less than 25% of the stations
audience are African British. In a recent report BBC analysis
published in March 2004 demonstrated that 53% of music played
by 1Xtra was of UK origin, compared to Choice FM who had 15%.
However the same research also revealed that 1Xtra has consistently
given cultural commentary the lowest priority in broadcast
hours whilst its music output has typically received the most.
The good news is that the quality of 1Xtra’s
documentaries have remained consistently high and a section
entitled 1XMusic is dedicated to providing ‘expert
advice and help for music makers covering all genres of music
and containing all you need to know about making it’
including unsigned music online. This helps open up the station
as a radio network to target for supporting positive, new
African British artists.
However, there are still several areas that
need addressing;
- 1Xtra's narrow focus on music will continue
to fail in attracting a substantive African British audience.
The BBC must acknowledge this and rectify the matter with
a predominant focus on diverse non-music cultural commentary.
- 1Xtra has failed to schedule interactive
topical discussion programmes every weeknight with live
phone ins.
- 1Xtra’s latest changes to its website
has removed forum sections TX News and The Station. These
were the previous discussion forums for critical feedback
of the stations performance and any discussing non music
related issues.
Click
here
to read the 1Xtra review document
Click
here
to read the response from the BBC Governors
Click
here
to read our appeal to the BBC Governors
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BBC:
Must Try Harder |
Aspirational TV?
In a speech given to the Broadcasting Press Guild (May
2003) by BBC Director of Television Jana Bennett said;
[E]thnic audiences are another area
of focus. In the last 12 months ethnic viewing to BBC ONE
beat ethnic viewing to ITV1 for the first time, particularly
among young viewers, and around half of the audience are
starting to see that we have got better at representing
them. Even our marketing effort, with the Bollywood ident
on BBC ONE and the Babyfather posters, has perhaps helped
ethnic audiences to feel that the BBC has something to offer
them. But about a fifth of our ethnic audiences don't think
we have got better, so we have a "must try harder"
marked in red pen against our efforts in this area.
We wrote to Celia Taylor the BBC Commisioning
Executive behind the Trouble of Black Men who had boasted
of “incredibly positive and aspirational” programmes
about ‘black’ people broadcast by BBC Television
during 2004.
This is the list of programming sent;
Aspirational African
British TV Programming from BBC
| Title |
Genre |
| Black Flash - BBC2 |
Racism / Sports |
| When Black Became Beautiful - BBC2 |
Racism / Fashion |
| Black Ambition - BBC2 |
Education |
| Carnival Weekend - BBC4 |
Music / Culture |
| Reggae - How Jamaica Conquered the World - BBC4 |
Music |
| A three hour single cut of the Windrush series - BBC4 |
Racism / Britain |
| Pressure - first black feature film made in UK (1976) - BBC4 |
Racism / Britain |
| The World About Us; Carnival King in Trinidad - BBC4 |
Music |
| History of Black Music - BBC4 Gil Scott Heron - BBC4 |
Music |
| Soul Weekender - BBC4 Three |
Music |
| Non-Blondes - BBC3 |
Entertainment |
| Living Famously (Marvin Gaye) - BBC2 |
Music |
| Liquid Assets - BBC3 |
Pop Culture |
| Dream Spaces - BBC3 (presenter David Adjaye) |
Architecture and design |
| Motherland - A Genetic Journey - BBC2 |
Genealogy |
| Love Thy Neighbour - BBC2 |
Racism |
| Jamaica at 40 - season of programmes on BBC2 |
Music / Culture |
| Marley's Millions - BBC2 |
Music / History |
| Mandela the Living Legend - BBC1 |
African History |
| Heart of Harlesden - BBC2 |
Crime |
| Trading Races - BBC2 |
Racism / Britain |
| The Essential Daley Thompson, BBC2 |
Sports |
| The Essential Naomi Campbell, BBC2 |
Fashion |
| The Essential Will Smith and Michael Jackson, BBC2 |
Entertainers |
| Black History Month - an investment in programmes across all BBC platforms.
Varies each year |
Misc* |
| The Colour of Love/Friendship/Football - BBC2 |
Racism |
| Various Correspondents and Panorama |
Misc |
| Africa Season - BBC3 (African Nations Football Cup, 9 separate documentaries
in season) |
Africa / Various |
Lead actors in mainstream dramas such as:
| Drama |
| Holby City - BBC1 |
| Casualty - BBC1 |
| Eastenders - BBC1 |
| Auf Weidersein Pet -BBC 1 |
| Outlaws - BBC3/2 |
| 55 Degrees North - BBC1 |
| Balamory - BBC1 and CBBC |
| Doctors - BBC2 |
| Merseybeat - BBC 1 |
| Waking the Dead - BBC1 |
| Spooks - BBC 1 |
| Trust - BBC1 |
| Being April - BBC1 |
| Trevor's World of Sport - BBC1 |
| Tomorrow La Scala - BBC2 |
| Burn It - BBC3 |
| Platinum - BBC3 |
Click
here
to read Celia Taylor's response.
Click
here
to read our letter
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Virgin Mobile Ads:
Run Wyclef Run, Jet, Hotel |
Virgins Diverse Range?
During June 2004, Channel 4 broadcast an offensive advert
for Virgin Mobile portraying an African male in a degrading
and demeaning role. The man was portrayed as a subservient
aide deployed to hold the penis of fully abled strangers
while they urinated, if required, the man would also remove
any feaces excreted from their body. This was a perpetuation
of the odious myth that Africans are prepared to willingly
engage in demeaning services and tasks.
In response to our complaint Ofcom agreed with Virgin’s
claims that;
‘it was irrelevant to the scene
that the actors happened to be black… Virgin had always
sought to include a diverse range of actors and models in
its advertising to demonstrate a representative cross section
of the UK population’.
Following receipt of the judgment we conducted
research into previous adverts produced by agency Rainey Kelly
Campbell Roalfe (RKCR). RKCR is the production company responsible
for the advert in our original complaint. Our findings revealed
that in all of their adverts for Virgin Mobile there was a
unambiguous bias towards using African men as the lead in
campaigns which included denigratory sexual or toilet themes.
In light of our research it is now apparent that the RKCR’s
consistent pattern of using African men for Virgin Mobile
adverts does not reflect the UK’s diversity. We have
appealed Ofcom’s decision.
Click here
to read Ofcoms response
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David Matthews:
Troubled |
The trouble
with... the series
The so-called polemic has now come and (almost)
gone - BBC Three have concluded that screening the documentaries
once wasn't enough of an insult and have been broadcasting
repeats of the programmes. Our anticpated concerns and fears
about the programme were predicatably met and surpassed with
its flaunting of sexually explicit images that reinforce derogatory
racial stereotypes.
The series included biased and dubious journalistic
commentary that set out to reinforce as many offensive racial
stereotypes about African British men as it could. Worst of
all, it was paid for with our license fee and approved by
Trevor Philips, Head of the Commission for Racial Equality.
Click
here
to read the Independent Article
Click
here
to read Tim Lott’s review
Click
here
to listen to David explain his ‘critical appraisal’
on BBC Radio London
Click
here
to listen to the debate (part one) on Choice FM
Click
here
to listen to the debate (part two) on Choice FM
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Darcus Howe:
Pressure |
Channel 4 and Diverse strike again
Channel 4 has once again enflamed tensions between minority
communities by deliberately inciting racial hatred and tensions
with more derogatory programming from producer Diverse TV.
This time the catalyst was the offensively titled documentary
‘Who you callin’ a n***er’.
The programme was promoted as factual and balanced journalism
presented by the infamous, Darcus Howe. The typically ill-researched
substandard production became the focus of the news when
it attempted to justify the inclusion of racist vitriol
aimed at the African British community. Howe attempted to
mislead viewers into believing that there was a race war
occurring between minority communities. We have requested
that the Commission for Racial Equality investigate Channel
4 for broadcasting this vile programme that caused great
offense and served little, if any positive social purpose.
We also hope the Police take comparative action as they
did against several BNP members who made racist comments
targeted at Asians in the BBC Secret Agent documentary.
Click here
to read our speakout on the documentary
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June 'Ethel' Brown:
Lovely But Racist? |
'There are far too many African children
in the world.. we ought to strangle them at birth to stop
them coming over here in their thousands when they grow
up. [They] look like horrible little monkeys the lot of
them….little chocolate monsters, munching on bananas
all day’.
Ethel in BBC 'comedy' Alison and Maude
These were the words broadcast last month
during a so-called comedy on the station the BBC pitch as
the home of intelligent speech (Radio Four). In a throwback
to the overtly racist BBC programming era the BBC programme
complaints unit denied the words were offensive and wrote
‘the unacceptable nature of Ethel's views was made
clear; she was described as lovely but racist’.
Eastenders actress June Brown played the character of Ethel
in Author Dave Lambs drama Alison and Maude. Interestingly
Johnny Speight , the creator of the xenophobic BBC character
Alf Garnet believed that ‘[d]espite appearances,
his [Till
death Us Do Part] series was never a racist comedy’.
Click
here
to listen to the offensive audio
Click
here
to read our complaint to the board of governors
Transcript of Audio
Dave: The company that makes them
does terrible things to children in Africa.
Ethel: Whose been hurting children,
Mark: Er.. No one Ethel
E: children are the most precious
thing in the world,
D&M: Really…..
E: oh yes, we can learn a lot from
children, there lovely little faces lighting up the day,
there aint a bit of nastiness in them is there when their
little, I reckon its cause they are still so close to God,
they’ve only just come into the world haven’t
they, they can still hears Gods voice, that’s why
people call them little angels cause that what they are,
lovely little angels who still talk to God , I don’t
understand how anyone could ever hurt children.
M: Yeah.. Dave was just saying how
this Crisp company are hurting African children.
E: African children, Well that’s
different, there’s far too many of them horrible little
things in the world, we ought to strangle them at birth
[to] stop them coming over here in their thousands when
they grow up. [They] look like horrible little monkeys the
lot of them.
E: Little chocolate monsters, munching
on bananas all day, make my flesh crawl.
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Whatever:
Guess who was cast as the violent one? |
25 August 2004
Whatever
Channel 4’s Whatever – A
Teenage Musical was a brave attempt at innovative programming.
It failed only in its portrayal of the two main protagonists.
The most negative, violent and destructive characters (one
promiscuous, the other a bully) were typically portrayed by
Channel 4 as African British, this was despite there being
a diverse pool of ethnicity to draw from within the cast.
This myopic approach to casting resulted
in the offensive portrayal of African British youth using
derogatory stereotypes. This reinforceced liberal and racist
beliefs of the African British community as immoral, irresponsible
and criminally minded.
Click
here
to read Ofcom's response
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Sun publish racist 'cannibal' cartoon
Once again, the Sun reveals its true colours with the publication
of a racist cartoon and accompanying article about Mark
Thatcher, who was recently arrested in South Africa on suspicion
of taking part in an alleged coup to overthrow the president
of Equitorial Guinea.
In a throwback to the racist images from Enid Blytons era,
which sees African people depicted as cannibals, the Sun
and cartoonist Bill Caldwell have proved that its never
too ‘politically incorrect’ for them to denigrate
Africans.
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Judy & Richard:
White Slavery Conspiracy |
24 August 2004
Channel 4 Chat hosts claim 'white'
slave trade
In an interview with pirate ‘expert’
David Cordingly, Notorious Talk TV hosts Richard Madeley and
Judy Finnigan claimed that ‘North African’ Barbury
pirates were responsible for the same level of atrocities
that occurred against Africans during the Trans-Atlantic ‘slave
trade’. Whilst we do not subscribe to a hierarchy of
human atrocities, we found this ridiculous assertion grossly
offensive, in-accurate and insensitive to the African British
community, we suspect it is no coincidence that these claims
happen to materialise at exactly the same time the United
Nations declared 2004 the International Year of the Struggle
against Slavery and its Abolition.
Ofcom did not agree with our concerns.
Click
here
to read their response.
Transcript of interview:
Richard: The good men and some women
of Cornwall were experiencing precisely what the black Africans
were experiencing on the other side of the Atlantic. They
was going through exactly the same indignities and cruelties
and were being treated less than human.
David: Yes
Judy: There’s an American Historian
who’s written a book about this, he’s said allegedly
that in a sense it’s been a bit of a cover up, because
people, liberals and writers, prefer to display the white
people as evil colonialist rather than as victims.
David: Yes.. sure.
Judy: Do you think this is true
David: Yes. I don’t know why.
Click here
to read about Richard and Judy
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Ofcom:
Because the N Word meets audience expectation? |
18 August
2004
N Word Update
We recently received a response to our appeal against Ofcom's
acceptance of the usage of the N Word by Channel 4 and Choice
FM. It read;
To have discussed the item without
reference to the offending [N] word would have sanitised
and undermined the discussion about the unacceptability
of his comments – Channel 4 News
Although you consider the [N] word to be 'universally accepted
as a racial slur', other members of the African American
community do appear to hold different views, dependent on
who is using the term in addition to the wider context -
Choice FM
Ofcom, August 2004
Click
here
to read their full response
Click
link to read our Choice
FM, Sharon
Osbourne Appeals
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Joseph Harker and the New Nation:
African and Proud |
20 July 2004
Say it Loud: I'm African And Proud
Guardian Journalist Joseph Harker, recently wrote an excellent
article in the New Nation (12 July 2004) on Why the
time has come to ditch the word ‘black’.
Joseph, who was a guest on Geoff Schumann’s BBC Radio
London show (18 July 2004) led a heated debate on the topic.
Not surprisingly, an overwhelming majority of African British
callers supported him while the majority of European and
Asian callers opposed his right to self-determination in
this form.
In a move that embarrassed out of touch African British
politicians and race relation officials, the New Nation
editorial announced;
For the very
reasons Harker suggests we should call ourselves African…
we [at New Nation] no longer use the term 'black'.
Click here
to read Joseph Harker’s article
Click
here
to read the full New Nation Editorial
Click here
to listen to the BBC London debate
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Maasai:
Incongruous 'Experiment'
not denigratory to identity?
|
Maasai Wives?
In an attempt to trivialize Maasai identity
and culture, Channel 4’s programme Experimental ran
a ‘test’ asking the Maasai to choose who would
make the best wife Jordan or Carol Smillie. When the Maasai
chose Jordan as best choice, the programmes narrator deliberately
mislead viewers with a voice over asserting that the Maasai
had chosen glamour ‘model’ Jordan as a wife
for themselves.
Click here
to read Ofcom’s response
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BBC: MOBO |
The Bling Bling Corporation
The Bling Bling Corporation (BBC) has announced
that it has signed an exclusive three year deal with the
notorious
MOBO awards. The awards ceremony will be screened on
BBC ONE with additional coverage on Radio 1 and 1Xtra. The
nominations for this year's MOBO's will take place in late
August with the ceremony itself coming from the Royal Albert
Hall on 30 September". Kanya
King, MOBO's Director, added: "We are really pleased
to be working with the BBC. It will allow us to reach the
biggest possible audience”. Lorraine Heggessy, Controller
of BBC ONE, said: "The MOBO's are the country's premier
awards for the best in black music’. We wonder if
anyone has told her that the organisers have said that MOBO
now means all types of music from urban culture. Is this
going to be the EMMA's
all over again?
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Cultural Diversity Network League
Table - 2004
The new Cultural Diversity Network website
is online, click here
to view the 2004 CDN league table on broadcasters diversity
targets.
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Ron Atkinson:
BBC Documentary - Am I Racist? |
17 July
2004
Another Big Wrong from the BBC
Intent on maintaining their
currently deficient level of service delivery, the Beeb have
surpassed themselves by using our license fee to support the
ailing career of racist Big[ot] Ron Atkinson by producing
a documentary entitled ‘Big
Ron - Am I a Racist?’
The documentary's Producer,
Petal Felix, said: 'Ron will be travelling the country canvassing
opinion about the remark he made. He will be exploring use
of the word 'n***er' - who can use it, who can't use it, and
why he used it on that occasion. Footballers and television
personalities who have worked with Ron over the years will
also have their say.' In this summary of the programme's objectives,
we note that there is no mention of the community who are
directly referenced and offended by the use of this word 'having
a say', namely African Britons. Sadly, we expect that any
attempt by the BBC to justify the use of the word 'N**ger',
particularly as a form of 'positive reclamation' will be supported
by Ofcom.
In response to the question
posed by 'Big Ron', Daily Mirror journalist Matthew Norman
summed it up well; 'I know Atkinson was renowned for his ability
to waffle as a pundit but how long can he spin out speaking
the word "yes"?' (Daily Mirror, Sat
17th July).
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BBC Programming for African History
Month?
We have also heard rumors that BBC Three is currently
working on a new programme exploring the problems within
African British relationships and are particularly interested
in finding contributors of Caribbean heritage to talk about
their experiences. We are not sure whether this is an extension
from 'The Trouble..' but please be warned. They
are currently seeking desperate brothas to explain why they
don’t date sistas, African women who refuse to date
brothas, European women who only date brothas, African children
who’ve grown up without their fathers, and finally
single African British mothers with children by three or
more brothas. Public value huh… the BBC positively
celebrating diversity? Remember, this is all paid for with
our TV license fee. Oh.. and to rub salt into the wound,
all programmes are scheduled to be shown during African
History Month in October.
Ironically the BBC
Producers Guidelines on Portrayal (Values, Standards
and Principles) states;
ETHNIC MINORITIES
It is narrow-minded to identify people only by ethnic
origin or colour when they have a host of other characteristics.
Colour should be mentioned only when it is relevant. Ask
yourself each time: would you say "white" in
similar circumstances?
4.1 Terminology
The phrase “ethnic minority” is not a universal
shorthand for “black”. White people can also
be ethnic minorities. Geographic or ethnic origin is often
more relevant than colour of skin...' Bangladeshi', 'Jamaican',
'West Indian', ‘Nigerian’ and so on
'Black' should not normally be used to include Asians.
Refer to 'black and Asian people' or 'Asian, African and
Caribbean people'. Just as we do not say ‘Non-blacks’
we avoid 'Nonwhites'.
Many people in Britain of African and Caribbean origin
prefer to be called “black British“. Use the
term 'black people' rather than 'blacks'. A good rule
of thumb is to ask how people describe themselves: there
have to be good reasons for calling them something different.
4.2 Misleading images
Most ethnic minority people living in Britain are British
nationals. A large and growing proportion was born here.
They are an integral part of British society. Black and
Asian people suffer considerably from negative stereotyping.
Programmes must not allow offensive assumptions or generalisations
in scripted material, and interviewees who express them
need to be challenged wherever possible.
Is this yet another case of 'group think'?
Click here
to read full BBC text
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David Akinsanya:
Powerful documentary |
A Problem Shared...
David Akinsanya presented the powerful The
Boy From The Block - This World documentary. In it he
met and interviewed the family of TJ Hickey, the aboriginal
boy whose death led to the Redfern riot in Australia. He
also asks why so many European Australians have a stereotypical
image of their indigenous neighbours as layabouts and drunks.
The parallels with the African British community were shocking.
The indigenous peoples are demonised
in the media and often referred to using derogatory stereotypes.
"Aboriginals are more than happy to take taxpayer
dollars to not work. We, as sort of white Anglo Saxons,
don’t understand that.. we’ve never understood
it and I’m not sure that we’re ever going
to fix the problem. I know that sounds completely defeatist
but here, we’ve been here two hundred years and
we’ve got nowhere near it."
Steve Price, Australian Radio Presenter
The youth had started to disconnect from their ancestry,
and 'more interested in The Simpsons and MTV than their
culture', subsequently they were most likely to fail
at school and end up in contact with the criminal justice
system.
| |
Life
expectancy for Aboriginals is 20 years less than for
European Australians
Indigenous children have the same life expectancy
as their European counterparts had in 1900
Aboriginals account for 3% of Australia's population
They also make up 40% of Australia's prison population
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Click here
to read a transcript of the show
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 Rober
Blackford:
African threat to Christianity? |
African God
In these prevalent times of spreading Islamophobia it is
a shame that Channel 4’s recent programme ‘God
is Black’ seemed to have a clear agenda to portray
African Christians as potential terrorists. The programme
made assertions referring to Christian evangelists as ‘fundamentalists’
and denouncing African Christianity as ‘extreme’
and a ‘real threat to the UK. Channel 4 and Diverse
TV may have felt it clever to have Robert Beckford, an African
Briton presenting a programme attacking African churches
but that will not mask their attempts to provoke racial
fueled religious tensions in this unbalanced and disingenuous
polemic. It’s fortunate for them that the new legislation
against inciting religious hatred is not in place to be
tested.
Click here
to read a transcript of the series
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55 Degrees North:
Three brothas but no sistas... |
Soul Intact
Whilst predictable and corny, the new BBC series 55 Degrees
North was off to a positive start with its inclusion and
positive portrayal of three generations of African British
males who did not conform to media racial stereotypes.
Set in Newcastle, Don Gilet charismatically plays the lead
character ‘DS Nicky Cole’ with his uncle ‘Errol
Hill’, played by George Harris and his nephew, ‘Matty’
played by promising young star Jaeden Burke. The recent
set of scenes explaining to Matty why knowledge of the ‘forgotten’
Mary
Seacole was essential for his sense of identity was
both inspired and brilliantly realistic in its portrayal.
The only thing missing from the show were conscious sistas
for Nicky and Errol to fall in love with, in fact the first
portrayal of a sista in the series was as a thug lovin,
drug addict mother who couldn’t look after her own
son!
Click here
to read about the history of the African British community
in Newcastle.
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Ofcom Chairman:
David Currie |
Non
Degrading N***ers
Media buzzword of the month is ‘Group
Think’. The term was devised in the 1970s to identify
a form of decision making characterised by uncritical acceptance
of a prevailing point of view. It is a form of collective
delusion, where bizarre policies are rationalised collectively
and contradictory evidence is discredited. Members of the
group suffer an illusion of both invulnerability and morality,
and construct negative stereotypes of outsiders… does
this remind ‘black’ people of anything? Anyway
‘group think’ seems to be claiming several victims
this month, first it was UK-US governments and their intelligence
services, and now its claimed broadcasting regulator Ofcom.
Ofcom have shockingly redefined the word
n***er as a ‘term of reference between black individuals’.
No doubt any complaints about the forthcoming BBC documentary
by Big(ot) Ron Atkinson entitled 'Am
I A Racist?' (we kid you not) will be rejected as the
BBC and Ofcom attempt to justify a positive 'reclamation'
of the word. And all paid for with our TV license fee. Oh..
and to rub salt into the wound, it is scheduled to be screened
during African History Month.
Click here
to read Ofcom response
Click
here
to read related article Cultural Obscenity or Badge of
Honour?
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Make Me Honest:
Positive Mentoring? |
15
July 2004
Honest TV?
A recent letter sent to Tory peer Lord Taylor from racist
Tory supporters read; “if you want to do something
more useful, try to sort out some of the following your counterparts
get up to…. [They] have created a climate of murder,
rape and muggings supported by the fact that 90% of violent
crimes shown on the B.B.C. television are commited by blacks..
the sooner we get rid of you and your black mates the better.”
Source: New Nation 19 July, 2004
Perhaps the intellectually challenged author
had just watched the BBC documentary series ‘Make Me
Honest’.
The BBC website describing the programme
sensationally states “Emily, a twenty-one-year old
interior designer from Chelsea, took on Michael, a convicted
mugger from Peckham. At just 18, Michael’s adult life
looked set to continue along the well-trodden route of a repeat
offender – in his own words, he was either going to
end up in prison or dead”.
No surprisingly, we received several complaints about the
entire series with issues ranging from the 'casting' of stereotypes
to the leading title and its negative assertions; with a little
bit of thought the program could have read;
KEEP ME HONEST
In this groundbreaking new series, five ordinary members
of the public are given six months to help five ex-offenders
stay straight by acting as their mentors.
Instead the typical ‘factual’
BBC press release read;
MAKE ME HONEST
In this groundbreaking new series, five ordinary members
of the public are given six months to help five criminals
go straight by acting as their mentors.
Click here
to read the BBC response to our concerns
Click
here
to read our original complaint
Related:
http://www.bbc.co.uk/crime/honest/
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Until the lion writes his own story...
the tale of the hunt will always glorify the hunter
A new
report by 3WE has revealed that British broadcasters
have significantly reduced production of international factual
programming. Some critics have said the dumbing down of
programmes such as the BBC 1’s Passport of the
Sun and ITV’s Wish you were here are
designed to make Britons feel good about themselves instead
of understanding and challenging the reality of the interdependent
world we live in.
Documentary themes all the channels should be producing:
The scar that's worth 0.3%
Whilst unfair trade and debt with the west cripples Caribbean
and African economies, Britons currently spend the same
amount of money on their childcare as the government spends
on international development. The Department for International
Development (DFID) is responsible for government efforts
to promote the eradication of extreme poverty in developing
countries and receives less than 0.3% of Britain's Gross
national Income (GDI).
In the recent 2004 SPENDING REVIEW the government has finally
announced the DFID budget will increase to more than £5.3
billion a year by 2007-08 compared to £3.8 billion
in 2004-05. UK official development assistance (oda) will
reach nearly £6.5 billion a year by 2007-08. Total
UK oda as a proportion of GNI will rise from 0.35 per cent
today to 0.47 in 2007-08 and the Government wishes to continue
to raise UK oda at the rate of growth achieved in 2007-08,
which would mean that total oda would reach 0.7 per cent
by 2013. This sounds great on paper but as Desmond Tutu
recently wrote ‘Speeches
don’t save lives. Aid does’ .
To fund this and the proposed increases in defence, health,
education and childcare spending the Chancellor has announced
plans to axe more than 104,000 civil service jobs across
the UK. 16,850 from the Chancellor's Depts, 15,000 from
Defence, and 40,000 from Work and Pensions. Guess where
the majority of African Britons work?
Wish You Weren't Here
A documentary about the growing hobby of some European
British men and women who visit countries such as the Gambia,
Jamaica and Thailand to have sex with underaged children.
The documentary will be told from the point of view of the
young people who are continuously exploited by European
sex
tourists.
Media Manipulation
Michael Moore touched on it in his controversial documentary,
Bowling for Columbine but just how much does the media portrayal
of African people worldwide affect the way in which they
are perceived by the rest of the world? A series of documentaries
will look at the process of commissioning programmes and
the mainstream broadcasters obsession with problems apparently
caused and exclusive to African communties. It will also
examine the various trends in advertising from exploiting
indigenous people such as the Maasai to the overwhelming
use of people of mixed heritage and in mixed race relationships
to placate consumers.
Compulsory Purchase
Many of us are unaware that the British government can use
compulsory
purchase orders to buy any of our homes if they believe
there is a compelling reason in the public interest. In
Botswana's Kalahari its people the San are fighting a landmark
case hoping for a ruling which will enable them to remain
on the lands of their ancestors. In America, the Native
Americans are attempting to fight
President Bush on the same issues whilst land in the Caribbean,
including beaches and entire islands, are being purchased
by international companies hoping to build money making
resorts for tourists or wealthy European business men.
Why is African economic development tied to western
consumerism?
Like most people of this community, they are direct African
descendants, brought to Latin America by Spanish colonists
during the cocoa boom of the 17th Century. When the Spanish
left after independence, the Africans remained. Cocoa remained
the life-blood of the local economy but prices never recovered.
Many families were forced to leave due to the extreme poverty.
Now Tierra Viva, a non-profit organisation is overseeing
a new project which is encouraging the growth of organic
cocoa.
Click here
to read more
Exploitation by commercial businesses
A new Coca-Cola bottling factory is opening in Somalia’s
capital Mogadishu. It directly employs 130 people paying
$2.50 a day, and they are given better food as part of the
deal.
Click here
to read more
The African Humanist Conference
First class education practices from the Caribbean
and Africa
Malaria - The preventable plague killing Africa
The reality of Economic Apartheid in South Africa
African community organisations that are winning
against all odds
32.7 Years - The life expectancy of a newborn infant
in Zambia
How unity in the Caribbean is developing trade
How African music has influenced the world
The History of Haiti - The first free Diasporic
African state
How Africans in the Diaspora are giving back to
local communities
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Diverse: Producers
of 'The Trouble'

BBC3 Controller: Stuart
Murphy
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29 May 2004
Diverse TV and the BBC
Diverse, the production company behind ‘The
Trouble’ is also the same team which produced Channel
4’s terrible Forbidden Fruit series.
Click
here
to read our complaint
Click
here
to read the BBC response
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26
May 2004
Cultural Diversity Network
Ligali attended the recent Cultural Diversity Network (CDN)
meeting during which we met various industry representatives
from the BBC, BME TVFM, and Channel 4 among others. The meeting
was chaired by Andrea Callender, the BBC’s recently
appointed Head of Diversity. Andrea’s remit is to co-ordinate
the BBC's objective to fully reflect diversity in Britain,
both in its programmes and in the make-up of BBC staff.
The CDN began in 2000 and exists to provide a forum for all
the major British television broadcasters to exchange ideas
and information with a view to improving the representation
of ethnic minority communities in Britain, both in front and
behind the camera. Current members are; BBC, BSkyB, Channel
4, Five, ITV, Grampian, GMTV, ITN and PACT.
The meeting was very productive and Andrea assured us that
there will soon be a CDN website making the annual targets
of CDN members available to the public. The BMETVFM Charitable
Foundation is also calling for a historical scrutiny of CDN
progress in October 2004.
Related
Click here
to read more about Andrea Callender
BMETVFM website
http://www.bmetvfm.com/
Cultural Diversity Network
BBC
Online
CDN
Diversity Database
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25 May 2004
A new ‘Urb*n’ Voice?
Rumors and speculation
came to an end last week as it was confirmed that the Jamaican
Gleaner has bought the Voice newspaper. Whether the new owners
can rescue the ailing newspaper from its flagging ratings
remains to be seen. However, we have not forgotten the quote
made several months ago by the Gleaner who stated that they
intended to appeal to the wider ‘new urban market’.
So, urbanitis rears its
ugly head again. Time will tell what impact the Gleaner will
have but having proclaimed its ‘new’ market, it’s
not looking hopeful for African Britons.
Click the links below for
related stories.
http://www.jamaica-gleaner.com/gleaner/20040519/lead/lead1.html
http://www.blink.org.uk/pdescription.asp?key=3414&grp=1&cat=197 |
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EMMA Award Winners 2004:
David Beckham, Tom Cruise, Mark Daley, Vanessa Feltz, Greg Dyke |
25
May 2004
EMMA Awards?
Following the recent Ethnic
Multicultural Media Award (EMMA) ceremony, we received several
complaints from people wanting to know why David Beckham and
Tom Cruise were nominated, and subsequently awards winners
of their respective categories. As one complainant noted,
surely these individuals get enough exposure without having
to be included in this particular award ceremony? The
Ethnic Multicultural Media Awards (EMMA) begun in 1998 and
was previously known as the Ethnic Minority Media Awards.
As with the MOBO awards (which now describes itself meaning
all types of music from urban culture), this significant name
change also marks a significant shift in the ethnic identity
of nominees and winners. We contacted the EMMA awards to express
our reservations.
EMMA informed us that their
nomination process initially involved a press campaign for
nominations, which is mailed out to a database of over 20,000
people. Advertisements for the voting process are then placed
in the ‘ethnic minority’ media. The votes are
collated and judges of varying ethnic backgrounds create a
shortlist of nominees from the people who received the highest
number of votes (EMMA received over two million votes this
year). According to EMMA, David Beckham was one of the nominees
put forward as an icon for a multicultural society. Indeed,
the Times newspaper declared that ‘Beckham’s “bling-bling”
jewellery, rap music collection and designer wardrobe helped
to make him an icon to Britain’s black community and
he polled more votes than a roll call of black sporting icons’.
We have requested that EMMA
recognise that minority communities in Britain are generally
likely to have a lower vote count than the wider community.
To counter this they will need to implement a quota mechanism
to ensure equal proportional representation is afforded all
minority communities. The EMMA organisation maintain that
they do not take a static approach to the awards process and
that both negative and positive feedback will be used to direct
next year’s event.
However, with Bobby Syed
falling into that trap set by those who resent British minorities
celebrating their culture by declaring that ‘We British
cannot only have award winners based on the colour of their
skin, otherwise we are guilty of racism’, it appears
there is little hope for the ailing Award ceremony. Ironically,
the same ‘uncritical integration’ agenda pushed
on ethnic minorities is rarely extended to other institutions,
not least awards such as the BAFTA’s and the British
Press Awards.
Clearly, there is a need
for a more representative award ceremony to be established
that gives priority recognition to Britain’s ethnic
minority communities. Bobby Syed has made it clear that EMMA
has another agenda and that this award ceremony is no longer
about celebrating ethnic minority communities and giving them
the recognition they deserve.
Click here
for a full list of winners.

A faceless entity:
An ironic promotional poster for the EMMA’s
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25 May 2004
Channel 4 condone Sharon Osbourne’s
racist and sexist comment Following
the recent Channel 4 ad featuring Sharon Osbourne hailing
her desire ‘to have sex with a black man’, Channel
4 responded to a complainant with a disappointing and somewhat
astounding reply.
Apparently, not only is
it ok to be a ‘n***er’ on Channel 4 but according
to, Channel 4 it is also acceptable to extol the ‘black
man’s sexual prowess’. Channel 4 are pretty good
at missing the mark and their latest move only adds to their
distinguished track record as one of the most offensive British
broadcasters.
As with many of the media
institutions and regulators, Channel 4 use the demeaning excuse
that the ‘overwhelming majority of our audience’
were not offended by the advertisement. Inevitably, ethnic
minorities would not ever be the majority viewers for this
item and this comments suggests that the views of African
Britons will always be sidelined by Channel 4.
Channel 4 go on to admit
that although Sharon Osbourne ‘does play on a stereotype,
we do not believe that this stereotype is a negative one in
the context’. Apparently Mrs Osbourne was trying to
say that ‘that black men are more sensitive and satisfying
lovers than their white counter-parts’. This only proves
that the obsession with the sexual activities of African British
men and women, part of the legacy of enslavement, is very
much part of our reality. It is indicative of our position
as an ethnic minority in the UK that an individual is permitted
to air their racially informed sexist views of men and be
supported by a British media institution.
Click here
to read Channel 4's response
If you wish to complain to Channel 4 about
their Faces of Four clip featuring Sharon Osbourne’s
comments or any of their other programmes, you can contact
Channel 4 viewer enquiries;
Email: viewerenquiries@channel4.co.uk
Tel: 020 7396 4444
Fax: 020 7306 8347
Adr: Viewer Enquries, Channel Four Television,
124 Horseferry Road, London SW1P 2TX
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21 May 2004
Ligali meets with Choice FM
There have been several
developments following the Capital Radio Group’s purchase
of Choice FM. At a recent press launch for its Social Action
programme former Choice FM Director, Patrick Berry, aggressively
stated that Choice FM was a commercial entity that was never
intended to be a community radio station. His comments sparked
outrage with angry audience members rightly expressing their
betrayal and dismay. Despite this declaration, the event was
generally positive with the Choice Social Action team promising
a commitment to community issues. They were also receptive
to expanding the ‘Peace on the streets’ concept
to different social action genres and promised to deliver
sustained initiatives outside the narrow remit of gun crime.
Choice also intends to develop a community advisory panel
to help guide the station on its social and community initiatives.
Following our recent correspondence
with Choice FM regarding its service provision to the African
British community, Ligali met with the station’s Manager
Director, Graham Bryce and Director of Communications, Jane
Wilson. During the meeting, we addressed several issues and
set some positive foundations for solutions.
The five main issues that
were discussed are as follows;
Community debate and
speech based programming
Choice FM does not currently
intend to provide daytime speech programming outside the Angie
Le Mar show on Saturday mornings. In this respect they have
sought to maintain the status quo as existed under the previous
management. Where they differ is in their desire to become
a part of the community they serve. This approach to radio
broadcasting is apparently company ethos for the Capital Radio
Group and they hope that their commitment to providing extra
resources to further develop the reach of the Social Action
team is seen as an indicator of this.
Support for British
artists
Choice FM does not believe
in quota systems to support British artists. They do however
acknowledge that their current output is predominantly African
American pop music that is potentially stifling home grown
talent. The Capital Radio Group has a successful initiative
called XFM
unsigned which was felt to be a suitable template from
which to base a program focused on developing new African
British talent. It was acknowledged that existing initiatives
such as Choice FM’s own Rapology or the MOBOs
unsung competitions are ineffective because they
are not integrated into any long-term strategy for artist
development. Choice is currently exploring the development
of a more effective home-grown initiative.
Reduction of offensive
and explicit programme content
This topic caused the most
contention. While it was agreed that we all were against censorship,
we could not reach consensus on the need for Choice to make
what Graham Bryce described as ‘a difficult decision’
and impose tighter regulation for tracks with offensive themes
or that were heavily edited to mask offensive content. As
this is a priority concern for parents and listeners in our
community, this is an issue we intend to vigorously pursue
for a resolution.
Role and powers of Advisory
body
The new advisory committee
for Choice FM is currently restricted to reviewing its Social
Action output. They will, therefore have no influence over
playlists, programming policy or station direction. We agreed
that a similar advisory mechanism that is inclusive of Choice
FM listeners and Senior Management from Choice FM is needed
to make up for this shortfall.
Feedback and complaints
handling
Following previous
complaints and our own experiences of Choice FM failure to
respond to listener complaints and feedback, Choice FM has
guaranteed us that the new systems they have in place for
processing complaints will supersede the previous mechanisms.
All queries will be responded to and all feedback considered.
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20 May 2004
Ofcom: Reclaiming n***er
Ofcom, the communications
regulator, have authorised the use of 'n***er' on several
different occasions. Surely this only serves to fuel the ignorance
of the likes of Hill and Atkinson who see the word as ‘harmless’?
Click here
to read Ofcom's response regarding unedited usage by Channel
4
Click here
to read Ofcom's response regarding usage by Choice FM at a
time when children were likely to be listening.
Click here
to read Ofcom's response ragarding excessive masked usage
by Choice FM
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Pain: Valley Fontaine
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15 May
2004
The Pain of Valley Fontaine
On 11 March 2004, BBC Presenter Valley Fontaine called Ligali
to complain about a post made by a member of the public on
our public forums. Screaming and ranting she accused us of
being guilty of libel and insisted we delete a thread from
our forums. Having not seen the entry it was explained that
we had no idea to which thread she referred and while we will
enforce our forum guidelines about content we do not condone
censorship. We also explained that we cannot delete entire
threads because of a single comment, nor can we police our
entire forums 24/7. Throughout the conversation, we repeatedly
advised Valley to send us a letter or email of complaint outlining
the offensive comments but she declined and continued to threaten
legal action.
According to Valley, we
had orchestrated the thread on which the apparently ‘libeous’
post appeared in tandem with our campaign to bring back Henry
Bonsu to his successful Sunday night show. When we explained
that our campaign for Henry Bonsu was in support of African
British journalists she went onto insist that we were not
in any way supporting her. Ms Fontaine eventually hung up
the phone.
So what was it that was
so offensive, so slanderous that poor Valley would feel the
need to take this mode of action? Well, one forum poster stated
that they felt that there was not enough loyalty amongst the
BBC radio presenters and that Valley was akin to a glorified
agony aunt.
We initially decided to
save her the embarrassment of exposing her dramatic theatrics
and did not share details of the incident to our community
or the BBC. However, in an interview with Emmy Perry from
Pride magazine several months later, Emmy noted the work of
Ligali as being important in raising awareness about certain
issues. Valley, still bitter about our refusal not to react
to her ‘jump’ instructions, then attempted to
attack our credibility and reputation with a few malicious
slurs. We subsequently complained to the BBC.
David Robey, Managing Editor
of BBC London defended her stating that her statements were
‘general comments about smaller organisations such as
[Ligali]’. In a recent letter to us, the BBC stated
that they to do not employ ‘activist broadcaster[s]’
(a phrase Henry Bonsu used to describe himself) yet they apparently
appear to condone their members of staff issuing unfounded
attacks on community organisations and making threatening
and abusive phonecalls.
We ask you to take a listen
to the audio and tell us what you think.
Incidentally, we are
still awaiting the letter from Ms Fontaine’s lawyers
which were assured would be forthcoming.
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20 May 2004
Believe your eyes: African British couple in love on the BBC!
It started off as
an urban myth that slowly gained pace. But rumours were finally
confirmed when we saw for ourselves one of the only positive
representations on television of African British people in
love with each other. So moved were we by
the current BBC ident advertising their Summer of Opera season
that we wrote to the BBC to congratulate them on finally getting
something right. Credit is definitely due to the creators
and producers of this rare but noteworthy piece.
The ident features
a young couple who are handed their newly born baby in a hospital.
One comment we received was that the scene was ‘refreshing
and beautiful’. Not only were the couple of African
descent but all the background artists, in the form of nurses
and doctors were also of African decent.
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Clockwise from top left;
David Mansfield, Capital Radio Group, Chief Executive
Graham Bryce, Choice Managing Director
Neil Kenlock, Choice Founder
Patrick Berry, Choice Founder
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19 April 2004
Capital Choice Response to Choice FM
Concerns
Click here
to read our letter to the Capital Radio
Group, Chief Executive David Mansfield (11 March 2004).
Choice FM's new Managing
Director, Graham Bryce, has responded with an equally in-depth
and detailed letter. It is worth noting that they too lobbied
the BBC for 1Xtra to be a speech-led radio station serving
the African British commuity. Unfortunately, whilst they acknowledged
most of our constructive criticism they failed to agree with
us on any of our suggested solutions for potential ways forward.
Click here
to read the full Capital Choice reponse (16 April 2004).
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13 April 2004
Ofcom consultation for community radio
licenses
Ofcom are currently in the
process of finalising its consultation on community based
radio licenses. Ligali, in unison with several individuals
and organisations, has collated its responses to the questions
asked. We believe our collective response encapsulates the
best way forward for Ofcom to empower groups to establish
effective, not for profit community radio stations, providing
essential services not served by the commercial sector.
Click here
to visit the easy to use Ligali Ofcom consultation form.
Please note that the deadline
for feedback is Tuesday
20th April.
14 April
2004
Community Unity for a Community Radio License
There has been much
talk about the need for an independent, high quality African
British speech based radio station.
We intend to work with several
organisations to submit a single collective application for
a community radio license in order to strengthen our chances
and pool resources and skills from a variety of sources. To
register your interest in becoming part of this process, please
complete the form below;
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