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Media Affairs


The Media Division is responsible for handling complaints and tackling all major instances of negative representation in the media. This includes TV, Radio, Film, Adverts and the Press.

We believe that before we can truly call the UK a genuine multicultural society, it is essential that we all accept and respect the individual cultures within the society. We encourage integration that respects and understands difference and does not seek to promote commodification or dilution of cultures in the media to make them more palatable.


    Media Affairs remit:

    • Eradication of negative racial and cultural stereotypes and images in all forms of media.
    • Increasing the quality and diversity of multicultural programmes broadcast on television and radio.
    • Encouraging and supporting sustained media programming exploring British history that accurately reflects multicultural influences.
    • Ensuring the weekly publication in the National press of invisible victims of violent crime, including the current status of investigations.
    • Sustained anti-gun crime initiatives across all forms of media.
 
Recent Media News


MOBO:
Awarding the N Word?


8 September 2004

MOBO promoting artists with offensive lyrics?

The MOBO organisation has partially followed up on its promise to remove artists who promote violence from their nomination process. During an interview with Peter Tatchell on Talksport FM, MOBO founder Kanya King said “if we don’t get an apology from the managers of these artists then we would consider removing them from the nominations”.

We are now awaiting confirmation that Kanya shows similar respect to the many heterosexual men and women who are denigrated by the offensive use of the racist N Word used by their Hip Hop nominees

Click here to listen to Kanya King's interview

Click here to read the 2004 Hip Hop Nominee's lyrics

Click here to read our speakout opinion

 



1Xtra:
Music for the street people?
1Xtra fails to attract 'street' audience

Despite a spend of over £6 million, digital radio station 1Xtra, which is actively targeting young African British listeners with its ‘street music’ campaign has failed to reach its target audience. In a letter to Ligali from the BBC Board of Governors the audience and research department has indicated that less than 25% of the stations audience are African British. In a recent report BBC analysis published in March 2004 demonstrated that 53% of music played by 1Xtra was of UK origin, compared to Choice FM who had 15%. However the same research also revealed that 1Xtra has consistently given cultural commentary the lowest priority in broadcast hours whilst its music output has typically received the most.

The good news is that the quality of 1Xtra’s documentaries have remained consistently high and a section entitled 1XMusic is dedicated to providing ‘expert advice and help for music makers covering all genres of music and containing all you need to know about making it’ including unsigned music online. This helps open up the station as a radio network to target for supporting positive, new African British artists.

However, there are still several areas that need addressing;

- 1Xtra's narrow focus on music will continue to fail in attracting a substantive African British audience. The BBC must acknowledge this and rectify the matter with a predominant focus on diverse non-music cultural commentary.

- 1Xtra has failed to schedule interactive topical discussion programmes every weeknight with live phone ins.

- 1Xtra’s latest changes to its website has removed forum sections TX News and The Station. These were the previous discussion forums for critical feedback of the stations performance and any discussing non music related issues.


Click here to read the 1Xtra review document
Click here to read the response from the BBC Governors
Click here to read our appeal to the BBC Governors

 



BBC:
Must Try Harder

Aspirational TV?

In a speech given to the Broadcasting Press Guild (May 2003) by BBC Director of Television Jana Bennett said;

[E]thnic audiences are another area of focus. In the last 12 months ethnic viewing to BBC ONE beat ethnic viewing to ITV1 for the first time, particularly among young viewers, and around half of the audience are starting to see that we have got better at representing them. Even our marketing effort, with the Bollywood ident on BBC ONE and the Babyfather posters, has perhaps helped ethnic audiences to feel that the BBC has something to offer them. But about a fifth of our ethnic audiences don't think we have got better, so we have a "must try harder" marked in red pen against our efforts in this area.

We wrote to Celia Taylor the BBC Commisioning Executive behind the Trouble of Black Men who had boasted of “incredibly positive and aspirational” programmes about ‘black’ people broadcast by BBC Television during 2004.

This is the list of programming sent;

Aspirational African British TV Programming from BBC

Title

Genre

Black Flash - BBC2

Racism / Sports

When Black Became Beautiful - BBC2

Racism / Fashion

Black Ambition - BBC2

Education

Carnival Weekend - BBC4

Music / Culture

Reggae - How Jamaica Conquered the World - BBC4

Music

A three hour single cut of the Windrush series - BBC4

Racism / Britain

Pressure - first black feature film made in UK (1976) - BBC4

Racism / Britain

The World About Us; Carnival King in Trinidad - BBC4

Music

History of Black Music - BBC4 Gil Scott Heron - BBC4

Music

Soul Weekender - BBC4 Three

Music

Non-Blondes - BBC3

Entertainment

Living Famously (Marvin Gaye) - BBC2

Music

Liquid Assets - BBC3

Pop Culture

Dream Spaces - BBC3 (presenter David Adjaye)

Architecture and design

Motherland - A Genetic Journey - BBC2

Genealogy

Love Thy Neighbour - BBC2

Racism

Jamaica at 40 - season of programmes on BBC2

Music / Culture

Marley's Millions - BBC2

Music / History

Mandela the Living Legend - BBC1

African History

Heart of Harlesden - BBC2

Crime

Trading Races - BBC2

Racism / Britain

The Essential Daley Thompson, BBC2

Sports

The Essential Naomi Campbell, BBC2

Fashion

The Essential Will Smith and Michael Jackson, BBC2

Entertainers

Black History Month - an investment in programmes across all BBC platforms. Varies each year

Misc*

The Colour of Love/Friendship/Football - BBC2

Racism

Various Correspondents and Panorama

Misc

Africa Season - BBC3 (African Nations Football Cup, 9 separate documentaries in season)

Africa / Various

 

Lead actors in mainstream dramas such as:

Drama
Holby City - BBC1
Casualty - BBC1
Eastenders - BBC1
Auf Weidersein Pet -BBC 1
Outlaws - BBC3/2
55 Degrees North - BBC1
Balamory - BBC1 and CBBC
Doctors - BBC2
Merseybeat - BBC 1
Waking the Dead - BBC1
Spooks - BBC 1
Trust - BBC1
Being April - BBC1
Trevor's World of Sport - BBC1
Tomorrow La Scala - BBC2
Burn It - BBC3
Platinum - BBC3

Click here to read Celia Taylor's response.
Click here to read our letter




Virgin Mobile Ads:
Run Wyclef Run, Jet, Hotel

Virgins Diverse Range?

During June 2004, Channel 4 broadcast an offensive advert for Virgin Mobile portraying an African male in a degrading and demeaning role. The man was portrayed as a subservient aide deployed to hold the penis of fully abled strangers while they urinated, if required, the man would also remove any feaces excreted from their body. This was a perpetuation of the odious myth that Africans are prepared to willingly engage in demeaning services and tasks.

In response to our complaint Ofcom agreed with Virgin’s claims that;

‘it was irrelevant to the scene that the actors happened to be black… Virgin had always sought to include a diverse range of actors and models in its advertising to demonstrate a representative cross section of the UK population’.

Following receipt of the judgment we conducted research into previous adverts produced by agency Rainey Kelly Campbell Roalfe (RKCR). RKCR is the production company responsible for the advert in our original complaint. Our findings revealed that in all of their adverts for Virgin Mobile there was a unambiguous bias towards using African men as the lead in campaigns which included denigratory sexual or toilet themes. In light of our research it is now apparent that the RKCR’s consistent pattern of using African men for Virgin Mobile adverts does not reflect the UK’s diversity. We have appealed Ofcom’s decision.

Click here to read Ofcoms response

 



David Matthews:
Troubled

The trouble with... the series

The so-called polemic has now come and (almost) gone - BBC Three have concluded that screening the documentaries once wasn't enough of an insult and have been broadcasting repeats of the programmes. Our anticpated concerns and fears about the programme were predicatably met and surpassed with its flaunting of sexually explicit images that reinforce derogatory racial stereotypes.

The series included biased and dubious journalistic commentary that set out to reinforce as many offensive racial stereotypes about African British men as it could. Worst of all, it was paid for with our license fee and approved by Trevor Philips, Head of the Commission for Racial Equality.

Click here to read the Independent Article
Click here to read Tim Lott’s review

Click here to listen to David explain his ‘critical appraisal’ on BBC Radio London

Click here to listen to the debate (part one) on Choice FM

Click here to listen to the debate (part two) on Choice FM

 



Darcus Howe:
Pressure

Channel 4 and Diverse strike again

Channel 4 has once again enflamed tensions between minority communities by deliberately inciting racial hatred and tensions with more derogatory programming from producer Diverse TV. This time the catalyst was the offensively titled documentary ‘Who you callin’ a n***er’.

The programme was promoted as factual and balanced journalism presented by the infamous, Darcus Howe. The typically ill-researched substandard production became the focus of the news when it attempted to justify the inclusion of racist vitriol aimed at the African British community. Howe attempted to mislead viewers into believing that there was a race war occurring between minority communities. We have requested that the Commission for Racial Equality investigate Channel 4 for broadcasting this vile programme that caused great offense and served little, if any positive social purpose. We also hope the Police take comparative action as they did against several BNP members who made racist comments targeted at Asians in the BBC Secret Agent documentary.

Click here to read our speakout on the documentary

 



June 'Ethel' Brown:
Lovely But Racist?

Lovely but racist!

'There are far too many African children in the world.. we ought to strangle them at birth to stop them coming over here in their thousands when they grow up. [They] look like horrible little monkeys the lot of them….little chocolate monsters, munching on bananas all day’.
Ethel in BBC 'comedy' Alison and Maude

These were the words broadcast last month during a so-called comedy on the station the BBC pitch as the home of intelligent speech (Radio Four). In a throwback to the overtly racist BBC programming era the BBC programme complaints unit denied the words were offensive and wrote ‘the unacceptable nature of Ethel's views was made clear; she was described as lovely but racist’. Eastenders actress June Brown played the character of Ethel in Author Dave Lambs drama Alison and Maude. Interestingly Johnny Speight , the creator of the xenophobic BBC character Alf Garnet believed that ‘[d]espite appearances, his [Till death Us Do Part] series was never a racist comedy’.

Click here to listen to the offensive audio

Click here to read our complaint to the board of governors


Transcript of Audio

Dave: The company that makes them does terrible things to children in Africa.

Ethel: Whose been hurting children,

Mark: Er.. No one Ethel

E: children are the most precious thing in the world,

D&M: Really…..

E: oh yes, we can learn a lot from children, there lovely little faces lighting up the day, there aint a bit of nastiness in them is there when their little, I reckon its cause they are still so close to God, they’ve only just come into the world haven’t they, they can still hears Gods voice, that’s why people call them little angels cause that what they are, lovely little angels who still talk to God , I don’t understand how anyone could ever hurt children.

M: Yeah.. Dave was just saying how this Crisp company are hurting African children.

E: African children, Well that’s different, there’s far too many of them horrible little things in the world, we ought to strangle them at birth [to] stop them coming over here in their thousands when they grow up. [They] look like horrible little monkeys the lot of them.

E: Little chocolate monsters, munching on bananas all day, make my flesh crawl.




Whatever:
Guess who was cast as the violent one?

25 August 2004
Whatever

Channel 4’s Whatever – A Teenage Musical was a brave attempt at innovative programming. It failed only in its portrayal of the two main protagonists. The most negative, violent and destructive characters (one promiscuous, the other a bully) were typically portrayed by Channel 4 as African British, this was despite there being a diverse pool of ethnicity to draw from within the cast.

This myopic approach to casting resulted in the offensive portrayal of African British youth using derogatory stereotypes. This reinforceced liberal and racist beliefs of the African British community as immoral, irresponsible and criminally minded.

Click here to read Ofcom's response



Sun publish racist 'cannibal' cartoon

Once again, the Sun reveals its true colours with the publication of a racist cartoon and accompanying article about Mark Thatcher, who was recently arrested in South Africa on suspicion of taking part in an alleged coup to overthrow the president of Equitorial Guinea.

In a throwback to the racist images from Enid Blytons era, which sees African people depicted as cannibals, the Sun and cartoonist Bill Caldwell have proved that its never too ‘politically incorrect’ for them to denigrate Africans.

 



Judy & Richard:
White Slavery Conspiracy

24 August 2004
Channel 4 Chat hosts claim 'white' slave trade

In an interview with pirate ‘expert’ David Cordingly, Notorious Talk TV hosts Richard Madeley and Judy Finnigan claimed that ‘North African’ Barbury pirates were responsible for the same level of atrocities that occurred against Africans during the Trans-Atlantic ‘slave trade’. Whilst we do not subscribe to a hierarchy of human atrocities, we found this ridiculous assertion grossly offensive, in-accurate and insensitive to the African British community, we suspect it is no coincidence that these claims happen to materialise at exactly the same time the United Nations declared 2004 the International Year of the Struggle against Slavery and its Abolition.

Ofcom did not agree with our concerns.

Click here to read their response.

Transcript of interview:

Richard: The good men and some women of Cornwall were experiencing precisely what the black Africans were experiencing on the other side of the Atlantic. They was going through exactly the same indignities and cruelties and were being treated less than human.

David: Yes

Judy: There’s an American Historian who’s written a book about this, he’s said allegedly that in a sense it’s been a bit of a cover up, because people, liberals and writers, prefer to display the white people as evil colonialist rather than as victims.

David: Yes.. sure.

Judy: Do you think this is true

David: Yes. I don’t know why.

Click here to read about Richard and Judy




Ofcom:
Because the N Word meets audience expectation?

18 August 2004
N Word Update

We recently received a response to our appeal against Ofcom's acceptance of the usage of the N Word by Channel 4 and Choice FM. It read;

To have discussed the item without reference to the offending [N] word would have sanitised and undermined the discussion about the unacceptability of his comments – Channel 4 News

Although you consider the [N] word to be 'universally accepted as a racial slur', other members of the African American community do appear to hold different views, dependent on who is using the term in addition to the wider context - Choice FM

Ofcom, August 2004

Click here to read their full response
Click link to read our Choice FM, Sharon Osbourne Appeals




Joseph Harker and the New Nation:
African and Proud


Maasai:
Incongruous 'Experiment'
not denigratory to identity?



BBC: MOBO

The Bling Bling Corporation

The Bling Bling Corporation (BBC) has announced that it has signed an exclusive three year deal with the notorious MOBO awards. The awards ceremony will be screened on BBC ONE with additional coverage on Radio 1 and 1Xtra. The nominations for this year's MOBO's will take place in late August with the ceremony itself coming from the Royal Albert Hall on 30 September". Kanya King, MOBO's Director, added: "We are really pleased to be working with the BBC. It will allow us to reach the biggest possible audience”. Lorraine Heggessy, Controller of BBC ONE, said: "The MOBO's are the country's premier awards for the best in black music’. We wonder if anyone has told her that the organisers have said that MOBO now means all types of music from urban culture. Is this going to be the EMMA's all over again?

 




Ron Atkinson:
BBC Documentary - Am I Racist?

17 July 2004
Another Big Wrong from the BBC

Intent on maintaining their currently deficient level of service delivery, the Beeb have surpassed themselves by using our license fee to support the ailing career of racist Big[ot] Ron Atkinson by producing a documentary entitled ‘Big Ron - Am I a Racist?

The documentary's Producer, Petal Felix, said: 'Ron will be travelling the country canvassing opinion about the remark he made. He will be exploring use of the word 'n***er' - who can use it, who can't use it, and why he used it on that occasion. Footballers and television personalities who have worked with Ron over the years will also have their say.' In this summary of the programme's objectives, we note that there is no mention of the community who are directly referenced and offended by the use of this word 'having a say', namely African Britons. Sadly, we expect that any attempt by the BBC to justify the use of the word 'N**ger', particularly as a form of 'positive reclamation' will be supported by Ofcom.

In response to the question posed by 'Big Ron', Daily Mirror journalist Matthew Norman summed it up well; 'I know Atkinson was renowned for his ability to waffle as a pundit but how long can he spin out speaking the word "yes"?' (Daily Mirror, Sat 17th July).

 


 


David Akinsanya:
Powerful documentary


Rober Blackford:
African threat to Christianity?
African God


55 Degrees North:
Three brothas but no sistas...


Ofcom Chairman:
David Currie

Non Degrading N***ers

Media buzzword of the month is ‘Group Think’. The term was devised in the 1970s to identify a form of decision making characterised by uncritical acceptance of a prevailing point of view. It is a form of collective delusion, where bizarre policies are rationalised collectively and contradictory evidence is discredited. Members of the group suffer an illusion of both invulnerability and morality, and construct negative stereotypes of outsiders… does this remind ‘black’ people of anything? Anyway ‘group think’ seems to be claiming several victims this month, first it was UK-US governments and their intelligence services, and now its claimed broadcasting regulator Ofcom.

Ofcom have shockingly redefined the word n***er as a ‘term of reference between black individuals’. No doubt any complaints about the forthcoming BBC documentary by Big(ot) Ron Atkinson entitled 'Am I A Racist?' (we kid you not) will be rejected as the BBC and Ofcom attempt to justify a positive 'reclamation' of the word. And all paid for with our TV license fee. Oh.. and to rub salt into the wound, it is scheduled to be screened during African History Month.

Click here to read Ofcom response
Click here to read related article Cultural Obscenity or Badge of Honour?

 



Make Me Honest:
Positive Mentoring?

15 July 2004
Honest TV?

A recent letter sent to Tory peer Lord Taylor from racist Tory supporters read; “if you want to do something more useful, try to sort out some of the following your counterparts get up to…. [They] have created a climate of murder, rape and muggings supported by the fact that 90% of violent crimes shown on the B.B.C. television are commited by blacks.. the sooner we get rid of you and your black mates the better.
Source: New Nation 19 July, 2004

Perhaps the intellectually challenged author had just watched the BBC documentary series ‘Make Me Honest’.

The BBC website describing the programme sensationally states “Emily, a twenty-one-year old interior designer from Chelsea, took on Michael, a convicted mugger from Peckham. At just 18, Michael’s adult life looked set to continue along the well-trodden route of a repeat offender – in his own words, he was either going to end up in prison or dead”.

No surprisingly, we received several complaints about the entire series with issues ranging from the 'casting' of stereotypes to the leading title and its negative assertions; with a little bit of thought the program could have read;

KEEP ME HONEST
In this groundbreaking new series, five ordinary members of the public are given six months to help five ex-offenders stay straight by acting as their mentors.

Instead the typical ‘factual’ BBC press release read;

MAKE ME HONEST
In this groundbreaking new series, five ordinary members of the public are given six months to help five criminals go straight by acting as their mentors.

Click here to read the BBC response to our concerns
Click here to read our original complaint

Related:
http://www.bbc.co.uk/crime/honest/

 




Diverse: Producers of 'The Trouble'



BBC3 Controller: Stuart Murphy

 

29 May 2004
Diverse TV and the BBC

Diverse, the production company behind ‘The Trouble’ is also the same team which produced Channel 4’s terrible Forbidden Fruit series.

Click here to read our complaint
Click here to read the BBC response


26 May 2004
Cultural Diversity Network

Ligali attended the recent Cultural Diversity Network (CDN) meeting during which we met various industry representatives from the BBC, BME TVFM, and Channel 4 among others. The meeting was chaired by Andrea Callender, the BBC’s recently appointed Head of Diversity. Andrea’s remit is to co-ordinate the BBC's objective to fully reflect diversity in Britain, both in its programmes and in the make-up of BBC staff.

The CDN began in 2000 and exists to provide a forum for all the major British television broadcasters to exchange ideas and information with a view to improving the representation of ethnic minority communities in Britain, both in front and behind the camera. Current members are; BBC, BSkyB, Channel 4, Five, ITV, Grampian, GMTV, ITN and PACT.

The meeting was very productive and Andrea assured us that there will soon be a CDN website making the annual targets of CDN members available to the public. The BMETVFM Charitable Foundation is also calling for a historical scrutiny of CDN progress in October 2004.

Related

Click here to read more about Andrea Callender

BMETVFM website
http://www.bmetvfm.com/

Cultural Diversity Network
BBC Online
CDN Diversity Database

 


25 May 2004
A new ‘Urb*n’ Voice?

Rumors and speculation came to an end last week as it was confirmed that the Jamaican Gleaner has bought the Voice newspaper. Whether the new owners can rescue the ailing newspaper from its flagging ratings remains to be seen. However, we have not forgotten the quote made several months ago by the Gleaner who stated that they intended to appeal to the wider ‘new urban market’.

So, urbanitis rears its ugly head again. Time will tell what impact the Gleaner will have but having proclaimed its ‘new’ market, it’s not looking hopeful for African Britons.

Click the links below for related stories.

http://www.jamaica-gleaner.com/gleaner/20040519/lead/lead1.html

http://www.blink.org.uk/pdescription.asp?key=3414&grp=1&cat=197



EMMA Award Winners 2004:
David Beckham, Tom Cruise, Mark Daley, Vanessa Feltz, Greg Dyke

25 May 2004
EMMA Awards?

Following the recent Ethnic Multicultural Media Award (EMMA) ceremony, we received several complaints from people wanting to know why David Beckham and Tom Cruise were nominated, and subsequently awards winners of their respective categories. As one complainant noted, surely these individuals get enough exposure without having to be included in this particular award ceremony? The Ethnic Multicultural Media Awards (EMMA) begun in 1998 and was previously known as the Ethnic Minority Media Awards. As with the MOBO awards (which now describes itself meaning all types of music from urban culture), this significant name change also marks a significant shift in the ethnic identity of nominees and winners. We contacted the EMMA awards to express our reservations.

EMMA informed us that their nomination process initially involved a press campaign for nominations, which is mailed out to a database of over 20,000 people. Advertisements for the voting process are then placed in the ‘ethnic minority’ media. The votes are collated and judges of varying ethnic backgrounds create a shortlist of nominees from the people who received the highest number of votes (EMMA received over two million votes this year). According to EMMA, David Beckham was one of the nominees put forward as an icon for a multicultural society. Indeed, the Times newspaper declared that ‘Beckham’s “bling-bling” jewellery, rap music collection and designer wardrobe helped to make him an icon to Britain’s black community and he polled more votes than a roll call of black sporting icons’.

We have requested that EMMA recognise that minority communities in Britain are generally likely to have a lower vote count than the wider community. To counter this they will need to implement a quota mechanism to ensure equal proportional representation is afforded all minority communities. The EMMA organisation maintain that they do not take a static approach to the awards process and that both negative and positive feedback will be used to direct next year’s event.

However, with Bobby Syed falling into that trap set by those who resent British minorities celebrating their culture by declaring that ‘We British cannot only have award winners based on the colour of their skin, otherwise we are guilty of racism’, it appears there is little hope for the ailing Award ceremony. Ironically, the same ‘uncritical integration’ agenda pushed on ethnic minorities is rarely extended to other institutions, not least awards such as the BAFTA’s and the British Press Awards.

Clearly, there is a need for a more representative award ceremony to be established that gives priority recognition to Britain’s ethnic minority communities. Bobby Syed has made it clear that EMMA has another agenda and that this award ceremony is no longer about celebrating ethnic minority communities and giving them the recognition they deserve.

Click here for a full list of winners.


A faceless entity: An ironic promotional poster for the EMMA’s



25 May 2004
Channel 4 condone Sharon Osbourne’s racist and sexist comment

Following the recent Channel 4 ad featuring Sharon Osbourne hailing her desire ‘to have sex with a black man’, Channel 4 responded to a complainant with a disappointing and somewhat astounding reply.

Apparently, not only is it ok to be a ‘n***er’ on Channel 4 but according to, Channel 4 it is also acceptable to extol the ‘black man’s sexual prowess’. Channel 4 are pretty good at missing the mark and their latest move only adds to their distinguished track record as one of the most offensive British broadcasters.

As with many of the media institutions and regulators, Channel 4 use the demeaning excuse that the ‘overwhelming majority of our audience’ were not offended by the advertisement. Inevitably, ethnic minorities would not ever be the majority viewers for this item and this comments suggests that the views of African Britons will always be sidelined by Channel 4.

Channel 4 go on to admit that although Sharon Osbourne ‘does play on a stereotype, we do not believe that this stereotype is a negative one in the context’. Apparently Mrs Osbourne was trying to say that ‘that black men are more sensitive and satisfying lovers than their white counter-parts’. This only proves that the obsession with the sexual activities of African British men and women, part of the legacy of enslavement, is very much part of our reality. It is indicative of our position as an ethnic minority in the UK that an individual is permitted to air their racially informed sexist views of men and be supported by a British media institution.

Click here to read Channel 4's response

If you wish to complain to Channel 4 about their Faces of Four clip featuring Sharon Osbourne’s comments or any of their other programmes, you can contact Channel 4 viewer enquiries;

Email: viewerenquiries@channel4.co.uk
Tel: 020 7396 4444
Fax: 020 7306 8347
Adr: Viewer Enquries, Channel Four Television, 124 Horseferry Road, London SW1P 2TX




21 May 2004
Ligali meets with Choice FM

There have been several developments following the Capital Radio Group’s purchase of Choice FM. At a recent press launch for its Social Action programme former Choice FM Director, Patrick Berry, aggressively stated that Choice FM was a commercial entity that was never intended to be a community radio station. His comments sparked outrage with angry audience members rightly expressing their betrayal and dismay. Despite this declaration, the event was generally positive with the Choice Social Action team promising a commitment to community issues. They were also receptive to expanding the ‘Peace on the streets’ concept to different social action genres and promised to deliver sustained initiatives outside the narrow remit of gun crime. Choice also intends to develop a community advisory panel to help guide the station on its social and community initiatives.

Following our recent correspondence with Choice FM regarding its service provision to the African British community, Ligali met with the station’s Manager Director, Graham Bryce and Director of Communications, Jane Wilson. During the meeting, we addressed several issues and set some positive foundations for solutions.

The five main issues that were discussed are as follows;

Community debate and speech based programming

Choice FM does not currently intend to provide daytime speech programming outside the Angie Le Mar show on Saturday mornings. In this respect they have sought to maintain the status quo as existed under the previous management. Where they differ is in their desire to become a part of the community they serve. This approach to radio broadcasting is apparently company ethos for the Capital Radio Group and they hope that their commitment to providing extra resources to further develop the reach of the Social Action team is seen as an indicator of this.

Support for British artists

Choice FM does not believe in quota systems to support British artists. They do however acknowledge that their current output is predominantly African American pop music that is potentially stifling home grown talent. The Capital Radio Group has a successful initiative called XFM unsigned which was felt to be a suitable template from which to base a program focused on developing new African British talent. It was acknowledged that existing initiatives such as Choice FM’s own Rapology or the MOBOs unsung competitions are ineffective because they are not integrated into any long-term strategy for artist development. Choice is currently exploring the development of a more effective home-grown initiative.

Reduction of offensive and explicit programme content

This topic caused the most contention. While it was agreed that we all were against censorship, we could not reach consensus on the need for Choice to make what Graham Bryce described as ‘a difficult decision’ and impose tighter regulation for tracks with offensive themes or that were heavily edited to mask offensive content. As this is a priority concern for parents and listeners in our community, this is an issue we intend to vigorously pursue for a resolution.

Role and powers of Advisory body

The new advisory committee for Choice FM is currently restricted to reviewing its Social Action output. They will, therefore have no influence over playlists, programming policy or station direction. We agreed that a similar advisory mechanism that is inclusive of Choice FM listeners and Senior Management from Choice FM is needed to make up for this shortfall.

Feedback and complaints handling

Following previous complaints and our own experiences of Choice FM failure to respond to listener complaints and feedback, Choice FM has guaranteed us that the new systems they have in place for processing complaints will supersede the previous mechanisms. All queries will be responded to and all feedback considered.



20 May 2004
Ofcom: Reclaiming n***er

Ofcom, the communications regulator, have authorised the use of 'n***er' on several different occasions. Surely this only serves to fuel the ignorance of the likes of Hill and Atkinson who see the word as ‘harmless’?

Click here to read Ofcom's response regarding unedited usage by Channel 4

Click here to read Ofcom's response regarding usage by Choice FM at a time when children were likely to be listening.

Click here to read Ofcom's response ragarding excessive masked usage by Choice FM

 



Pain: Valley Fontaine

15 May 2004
The Pain of Valley Fontaine

On 11 March 2004, BBC Presenter Valley Fontaine called Ligali to complain about a post made by a member of the public on our public forums. Screaming and ranting she accused us of being guilty of libel and insisted we delete a thread from our forums. Having not seen the entry it was explained that we had no idea to which thread she referred and while we will enforce our forum guidelines about content we do not condone censorship. We also explained that we cannot delete entire threads because of a single comment, nor can we police our entire forums 24/7. Throughout the conversation, we repeatedly advised Valley to send us a letter or email of complaint outlining the offensive comments but she declined and continued to threaten legal action.

According to Valley, we had orchestrated the thread on which the apparently ‘libeous’ post appeared in tandem with our campaign to bring back Henry Bonsu to his successful Sunday night show. When we explained that our campaign for Henry Bonsu was in support of African British journalists she went onto insist that we were not in any way supporting her. Ms Fontaine eventually hung up the phone.

So what was it that was so offensive, so slanderous that poor Valley would feel the need to take this mode of action? Well, one forum poster stated that they felt that there was not enough loyalty amongst the BBC radio presenters and that Valley was akin to a glorified agony aunt.

We initially decided to save her the embarrassment of exposing her dramatic theatrics and did not share details of the incident to our community or the BBC. However, in an interview with Emmy Perry from Pride magazine several months later, Emmy noted the work of Ligali as being important in raising awareness about certain issues. Valley, still bitter about our refusal not to react to her ‘jump’ instructions, then attempted to attack our credibility and reputation with a few malicious slurs. We subsequently complained to the BBC.

David Robey, Managing Editor of BBC London defended her stating that her statements were ‘general comments about smaller organisations such as [Ligali]’. In a recent letter to us, the BBC stated that they to do not employ ‘activist broadcaster[s]’ (a phrase Henry Bonsu used to describe himself) yet they apparently appear to condone their members of staff issuing unfounded attacks on community organisations and making threatening and abusive phonecalls.

We ask you to take a listen to the audio and tell us what you think.

Incidentally, we are still awaiting the letter from Ms Fontaine’s lawyers which were assured would be forthcoming.


20 May 2004
Believe your eyes: African British couple in love on the BBC!

It started off as an urban myth that slowly gained pace. But rumours were finally confirmed when we saw for ourselves one of the only positive representations on television of African British people in love with each other. So moved were we by the current BBC ident advertising their Summer of Opera season that we wrote to the BBC to congratulate them on finally getting something right. Credit is definitely due to the creators and producers of this rare but noteworthy piece.

The ident features a young couple who are handed their newly born baby in a hospital. One comment we received was that the scene was ‘refreshing and beautiful’. Not only were the couple of African descent but all the background artists, in the form of nurses and doctors were also of African decent.



Clockwise from top left;
David Mansfield, Capital Radio Group, Chief Executive
Graham Bryce, Choice Managing Director
Neil Kenlock, Choice Founder
Patrick Berry, Choice Founder

 

19 April 2004
Capital Choice Response to Choice FM Concerns

Click here to read our letter to the Capital Radio Group, Chief Executive David Mansfield (11 March 2004).

Choice FM's new Managing Director, Graham Bryce, has responded with an equally in-depth and detailed letter. It is worth noting that they too lobbied the BBC for 1Xtra to be a speech-led radio station serving the African British commuity. Unfortunately, whilst they acknowledged most of our constructive criticism they failed to agree with us on any of our suggested solutions for potential ways forward.

Click here to read the full Capital Choice reponse (16 April 2004).


13 April 2004
Ofcom consultation for community radio licenses

Ofcom are currently in the process of finalising its consultation on community based radio licenses. Ligali, in unison with several individuals and organisations, has collated its responses to the questions asked. We believe our collective response encapsulates the best way forward for Ofcom to empower groups to establish effective, not for profit community radio stations, providing essential services not served by the commercial sector.

Click here to visit the easy to use Ligali Ofcom consultation form.

Please note that the deadline for feedback is Tuesday 20th April.


14 April 2004
Community Unity for a Community Radio License

There has been much talk about the need for an independent, high quality African British speech based radio station.

We intend to work with several organisations to submit a single collective application for a community radio license in order to strengthen our chances and pool resources and skills from a variety of sources. To register your interest in becoming part of this process, please complete the form below;

Name: