| Stephen Rudder |
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‘We who are not as others’
Short Film by Stephen Rudder
The movies were
always something that captivated me, although my hunger
to express my own voice grew when I realised that advertising
left me unsatisfied - creating powerful drama is where I
need to be. In 1997 I graduated from film school with the
zeal I would need as an independent filmmaker. With meagre
budgets and a lot of determination I’ve continued
making films since leaving, whilst working in the commercials
and feature film industries as a video assist operator.
But my focus is to direct memorable work that touches people
at their core.
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| Victor
Olusola Opeyokun |
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‘Rooted’
Animation by Victor Olusola Opeyokun
Victor is a freelance artist who works
mainly in animation. His television work includes the broadcasted
Powergen commercials - work he carried out at London's Picasso
Pictures animation studio. He has also been called to work
in photography and design, proving his flexibility and adaptability
in a range of mediums.
Victor lectures at schools and Universities
on the creation of animated films and the use of music,
which features strongly in his work. At present he teaches
animation part time at the Arts and Media School in Islington
and designs for websites incorporating animated characters.
Victor was nominated for the Ethnic Media Awards (EMMA),
which were held at the Dorchester Hotel in May 1999. Out
of many talented young hopefuls, Victor was nominated by
many of the industries established names under the category
of Best Male Media Newcomer under 25. Since then Victor
and his work has been featured on radio 'London Live' and
in newspaper articles. He has begun production on his second
short animated film 'Transcend', which he is looking forward
to completing. His New film is produced via his newly formed
company Rooted Productions.
For more info check out www.rootedproductions.com
Email: victoropeyokun@hotmail.com
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| Manu Kurewa
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One sunday morning

Mangwana
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‘One Sunday
Morning’ and 'Mangwana'
Short films by Manu Kurewa
After two years at Art
School and working extensively with youth groups in Zimbabwean
townships, devising plays that voiced community concern,
Manu got his first taste of film working as a runner on
Chris Menges'A World Apart. He then went to Scotland where
he attended various film and video workshops and made his
first film, Sugar for my Honey, a 20-minute short, screened
at several European festivals.
In 1994 Manu got a place at the NFTS, where he has made
three further films. One of them, One Sunday Morning, has
received five major awards at intemational film festivals
and was nominated for a Student Oscar. In 1996, he also
directed The Cold Season for the Lloyds Bank Channel Four
Film Challenge. Mangwana is Manu's graduation film.
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| Benjamin Ogbebor
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Life Encore

Bird of Prophecy, Self Prophecy
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‘Bird of Prophecy, Self
Prophecy’ and ‘Life Encore’
Animations by Benjamin Ogbebor
Benjamin Ogbebor a British born Nigerian
artist, lived in Nigeria before returning to live, work
and continue his education in England. He successfully completed
a diploma in General Art and Design, and a degree in Graphic
Fine Art. Through studying this courses that embodied various
disciplines, and also being self taught, Benjamin acquired
and is still acquiring skills and techniques in Graphic
Design, Illustration, and Animation as the technological
field of the arts evolves.
Benjamin’s animation is a mixture of hand drawings,
computer colouring, effects, and editing. “Bird Of
Prophecy, Self Prophecy”, an animation directed by
Benjamin took it’s story line from an ancient myth
originating from Benin City in Nigeria. In a philosophical
view, it represents moments when people aspire, and work
towards a goal without allowing fear stand in their way.
The five-minute animation materialized through research,
literature, photographs, and studying of artifacts, from
which Benjamin produced drawings, computer generated images
accompanied with sound. “Bird of Prophecy, Self Prophecy”
was completed for the 2001-degree show at the University
of East London, and it was part of a showreel that same
year at an animation segment of the Black Film Festival.
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