We meet in a park where the sun is blessing our skin, it has that magical effect of making us all smile reflecting the good mood we are all in. As I start taking pictures people pass by peeking to take a look, there is definitely an aura about these two giants in the world of spoken word but their humbleness and good vibes enable them to move around and blend into an environment that is both natural yet peppered with CCTV cameras watching our every move.
What is the Best Kept Secret (BKS)?
Amen Noir: To be honest I think part of understanding who we are comes through understanding Anthony T Browder’s overview of how the African is still unknown, who we are, and how we are built, the whole essence of your being actually still being a secret. Through BKS we try to bring in parts of that element, I think people are now starting to realise that even though individually we may also do other things, we are collectively working to bring alive that secret. Tuggs often talks about having a secret identity like that of a super hero. When you realise the importance of bringing that secret, especially with spoken word and its links to Griots and telling that story you can appreciate how powerful it really is, it’s about awakening the secret and showing the world that power.
Tuggstar: There was a time when after uni and at work I had to have a separate identity because I was seeking to blend into a certain environment, Afterwards I always had to duck into a toilet to change back into me, it’s interesting how so many different worlds exist in this small world called London. Certain people don’t have a clue about the day to day struggles of the other people around them, Britain is not a multi-cultural society it is a multi-racial society, because the other cultures are not accepted by the majority.
Who and where is BKS today?
Amen Noir: Where we are is at the beginning and the end, I know of recent we have spoken about the potential of BKS, when we sit down and look at those we have worked and generally perform with we see BKS as a collective allowing us to do anything even outside spoken word performance. With a collective such as ours there is always more than one mind on any project, for example, say we want to set up a youth programme collectively we all have the skills to make it happen, we have so much potential to go beyond our name, that’s why in some case we are just beginning that’s why the potential is so great. Being the eldest in the collective I can see it works and it being so big, even if we decided to only go for two years we can see opportunities beyond spoken word, so I believe we are at the beginning despite some seeing us as being around ‘so long’.
Tuggstar: It’s the first time I’ve been in a collective and the wisdom that it brings is vital to the totality of the group, what everybody brings individually is essential to our survival, Amen Noir is the backbone, it wasn’t an official choice but a natural one, I believe as the artist Kalashnikov would say “were living in daggo times”, so I don’t believe any human being born in this time or age is born without a purpose to deal with it, the BKS has taken the calling to awaken ourselves and awaken others. So when asked who are we, I say we are modelled on those hero groups, a collective who have come together for a greater purpose.
The intellectual depth of Tuggstar and Amen Noir is unlike that of any of the many ‘urban’ artists we are bombarded with in the mainstream media today, they welcome reward for their work but are not focused or motivated by a desire to achieve material gain. It’s hard to express the genuine sincerity in their voices as they speak with intimate knowledge and passion about their responsibility, the pain they feel when reflecting on the issues affecting our community and their responsibility to be part of that movement making that difference. Too good to be true? I don’t think so, but I’m not here to be a BKS cheerleader, I want to find out what makes these legendary wordsmiths tick. Mischievously I throw the heady mix of fame and money into the equation. Just as we start to talk on the synergy between the music industry and the spoken word scene I try another angle.
Should BKS remain a secret?
Tuggstar: I think the whole world should know the BKS scene, but I can’t imagine the music industry being interested in us without wanting to change us, so we’re on an independent tip doing for self, I haven’t had a second thought about the music industry.
Amen Noir: I’m the opposite, I think it should remain a secret, I think the problems come when the fame hits and we haven’t built the foundations, my mum always says before you take the boat out to sea it should be seaworthy, so before we go to sail we need to build those foundations. The music industry moves when there is a buzz. Through speaking with artists like friends in the so-solid crew we can see some of the mistakes that happened when as artists they were picked off one by one despite making claims saying they were a 150 strong unit. When you stand firm in your beliefs and prepare to make sacrifices for them you can be personally be happy with what you have. The music industry is about being part of that commercial machine where you only give them what they want and I don’t want us to be about that. |